The only obvious omissions are the lack of USB-B for connecting a computer, or a phono-level input to attach a turntable. There are no legacy analogue video inputs at all, but plenty of additional audio inputs, with five line-level analogue, three optical digital and two coaxial digital. There are seven HDMI inputs and two outputs here, one output equipped with HDMI eARC and so able to play stereo and surround from a connected TV back down the HDMI to the receiver. Spin the MRX 540 around, with some care given its weight of 12.8kg, and the usual AV receiver array of inputs and outputs are revealed. This proves key to the Anthem’s overall ease of use, as it allows far more versatile set-up of inputs and surround parameters than offered by most rivals, even those with on-screen displays, over which the Anthem has the not insignificant advantage of not interrupting what you’re watching.
One large volume knob sits to the right, flanked by small press buttons which allow basic operation and menu selection.īut it’s far more likely you’ll control the MRX 540 either using its full-size remote control, or by ‘second-screening’ with a tablet or phone logged on to the receiver’s network IP address, which opens up a clear and easy-to-use browser interface.
ANTHEM PC NO SOUND FULL
This receiver continues the design refresh introduced by Anthem on its recent STR amplifier series, and it’s a great look, ditching the more common layout of twin knobs for volume and input selection, in favour of giving over the full left half of the 43cm-wide fascia to a large and friendly graphic display.